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By Grand Central Station I Sat Down and Wept
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From Publishers Weekly
Smart was a globe-trotting journalist until she picked up a collection of George Barker's poetry in a London bookshop and decided to fall in love with him. Grand Central , first published in England in 1945, is a poetic prose recreation of her side of the affair, during which she bore him four children and he remained with his wife. Many will be put off by the self-pitying solipsism of this brief work and by its occasional slips into cliche ("Everything flows like the Mississippi"). At best Smart achieves a sort of neurotic, erotic hysteria, and in part 4 she pulls off an astonishing technical feat, counterpointing the Song of Songs with the hideous minutiae that accompany her arrest with Barker in Arizona for an undisclosed crime. However, this cult book will best suit those whose taste runs to the more maundering Romantic poets. Accompanying the novella is its putative sequel, The Assumption of the Rogues & Rascals , which wasn't published until 1978. This brief work shifts the emphasis toward the concrete and quotidian. As a result, Smart's more poetical conceits seem forced. Robbed of the central focus that her affair with Barker gives the first novel, Assumption meanders dully. Copyright 1992 Reed Business Information, Inc.
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Review
“Like Madame Bovary blasted by lightning . . . a masterpiece.” —Angela Carter“A revelation . . . this, short, powerful work had a profound influence on me and was one of the factors that made me want to be a writer.” —Beryl Bainbridge“Smart's language is her language . . . a writer of distinction with a unique voice and vision.” —Joyce Carol Oates
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Product details
Paperback: 240 pages
Publisher: Vintage; Reissue edition (March 3, 1992)
Language: English
ISBN-10: 0679738045
ISBN-13: 978-0679738046
Product Dimensions:
5.2 x 0.6 x 8 inches
Shipping Weight: 9.1 ounces (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
32 customer reviews
Amazon Best Sellers Rank:
#668,924 in Books (See Top 100 in Books)
Unlike any memoir or romance you've ever read, this has been called a "prose poem," but I would call it sheer poetry. Every line is cadenced, every paragraph holds a memorable metaphor and image. Written in the early 1940's while Smart was in the throes of passionate obsession, it is hot without being salacious. It doesn't have the overt sexuality of Anaïs Nin, but is nonetheless just as erotic. Smart fell in love with the poet George Barker in the most intimate fashion -- through the written word. By reading a volume of his poetry. Although they never married (he already had a wife), they went on to have four children together, but this was written just after the birth of her first daughter. This edition also contains The Assumption of Rogues and Rascals, written in 1978, which contains vignettes of what it was like living in England post World War II, but that doesn't carry the heat of Grand Central. It also contains a very informative introduction by Brigid Brophy.
Though this is a very slim book, I'm still reading it. Smart's style is so dense that it almost requires a mental shift to get into her prose style, which is immersive and almost like an altered state. When I'm finally done, I might give it more stars, but at first, the style really turned me off. It felt overwrought; I can see the comparasin to Anais Nin, another sensual and immersive stylist. Sometimes it works and sometimes it just feels suffocating that you can't understand how someone could be that deep into their own thoughts and senses; it begins to feel narcissistic and like I said, suffocating.On the other hand, she has a very unique voice and I respect that.Post-script: now I get this book- and I've seen her sense of humor, especially when she says something to the effect of "lay off the stuff, Solomon, get pally with the gang", referencing the Song of Songs in a contemporary dismissive way that others may reduce her obsession to. This book requires careful reading as it is incredibly dense and the sentences have a lot of imagery, surrealism and literary references packed into them. I did find that she overused 'blood' and 'ghosts' a bit much, but this is a very striking work and now I can really see why people rave about it. Originally I gave it 3 stars as it just seemed overcooked to me, at the start, but once you adapt to living in her inner world you begin to understand her language better and you succumb to the rhythms and style.Must read more prose-poetry; what an amazing form.
A remarkable book by a remarkable woman, By Grand Central Station captures the almost hallucinatory, painfully intense experience of a powerful love affair. By no means a "novel" with the expectations that term raises of plots and carefully delineated characters, the book reshapes already dramatic true events into brief but grand art (Smart's circa 1940 pursuit of the then-famous poet George Barker--based entirely on her love of his writing--her discovery that he already had a wife, and the necessarily tragic passion that ensued).The book tells this story, but through a beautifully crafted howl of language. At times, the writing has the richness and cadence of scripture which sets it worlds apart from conventional prose. You can read it again two years later and feel like you've returned to the Catholic mass after years of "sensible" agnosticism.If you like a story told more straightly (for it does take a certain kind of sensibility to savor this howl) read Rosemary Sullivan's excellent biography of Smart, BY HEART. It's hard to beat the saga of her decades-long affair with Barker, her subjugation of her genius to his and to the four children they conceived...and ultimately, of the way this cult book was rediscovered in the 1960s and brought her a fame that would completely eclipse his.
I have to confess that I read this book because I was reading a book about The Smiths and this was listed as one of Morrissey's favourite/most influential books. Now that I've read it I can see the connection. There are actually lines from this books which got used as lyrics in some Smiths songs.The book stands on its on merits however. The writing is beautiful and poetic. The emotions are real and raw although not always admirable. The narrative loosely follows the author's affair with a married man, her crippling love for him regardless of all common sense and social taboos. She disgraces herself in the eyes of her family and society. She gives birth to illegitimate children by her lover while he forsakes his own wife and lawful children.To call this love intense would be a massive understatement. To call it rational or sensible would be just plain wrong. To deny it is beautiful would be blind.
Deep, clever. This work masters the connection between the beauty of the language and the complexity of feelings.
Ms Smart writes poetic prose, and you have to like this genre to enjoy the book. I loved it, but did feel frustrated at times that she simply wasn't giving her readers any real details about her life-long affair with poet George Barker.
<3
So beautiful. Just so beautiful.
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